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The different styles of antiques antique furniture are not all equal to antique furniture currently almost experiencing a Renaissance. In combination with modern and minimalist furniture especially young people set up like chic and high-quality antiques. If you are not convinced, visit Alloy. The antique furniture pieces break up the otherwise very practical but stylish furnished apartment. I like that. But antiques are not all the same. There are many differences in style. And not everything can be combined with all. oughout. Furniture from the following periods are referred to as antique furniture in most cases: Baroque (1660 1770), Louis XVI (1760-1790), Biedermeier (1825-1848), time of founder of (1871-1914), Art Nouveau (1895-1910) and Art Deco (1910-1935).

The different styles of antique furniture differ E.g. in the style of woodworking, but also in the selection of the wood. Chairs with upholstered the choice of materials varies greatly. Continue to learn more with: Glenn Dubin. So is the Art Deco style Transition to modern furniture design. In this, materials, such as varnish or leather, were already used in furniture production. Biedermeier furniture represent the exact opposite to furniture from the Grunderzeit.

Furniture from the Biedermeier period is barely decorated, but made of high quality wood. The furniture is usually very solid. In the early years, you liked plenty embellishment on the furniture. Typical elements are decorative knobs, pillars or reliefs. Immediately on decorating, which are reminiscent of the nature seen antique furniture that originated in the art nouveau style. Often you can see patterns that look like plants or animals on Art Nouveau furniture. One have all styles together antique furniture, have been preserved to this day, was manufactured in very high quality. Here, the material played a very important role. You didn’t know furniture off the rack at that time yet. It went to sustainability and quality in the manufacture of furniture. This is even today these antiques.

What is now actually a real stove? The tiled stove! What is that? Regularly, we find how ecological in advertising the advantages of tile stoves, and this heater is also economical. Unfortunately, this term is abused but also very often to the detriment of the consumer. Unfortunately, all too often a variety of heaters are grouped together under the Samelbegriff “Stove”. In principle, you can say that the stove is a stationary offset single oven, which essentially consists of two major components. The heating technology and the storage and radiation coat. The heating of a tile stove (the technology is equivalent to a storage heater or basic oven) is as a so-called burning and is done via the so-called trough combustion. This means that the entire amount of wood used for the calculated heating interval is at once put in the combustion chamber and this amount of wood is burned under high excess of air and sealed after the end of the burn-up. The interior design of the tile stove stores these released now Amount of energy and this propagates slowly hours spread out over many storage and radiation coat.It is important that the entire interior with appropriate materials is built.

Also there’s big differences in quality to the part. Many of these refractory materials are grouped under the umbrella term chamotte together. Therefore consumers should question also doing exactly what fireclay is used. Selbsterstandlich there are also specially developed interior materials for the construction of tiled stove. Luxit is at the top. Luxit is a lining material designed specifically for wood combustion with higher memory performance (higher density) than traditional chamotte and catalytic properties. This means that this material changes its thermal dynamic characteristics depending on the temperature.

In the Anbranden phase, it has rather an insulating effect (a high firing temperature for a clean Verbrennungh achieve faster) and after reaching the ideal temperature of combustion Luxit is permeable, what Favors heat retention. There are also finished tiled stove inserts, which one modeled after the basic furnace combustion have. These guys will become subject of an own article. The storage and Starhlungsmantel is the second essential feature part of a real tile stove. This should be designed to ensure a uniform heat homogeneously as possible. There are very many tile manufacturers and demenstrpechend many colors and shapes at the oven ceramic. And here is the crux of the matter. Actually, one speaks only of a “real tile stove” If the entire coat with tiles will be built. Thus, there is a huge friction point between the design and the optimum tiled stove technology, since in recent years plastered parts are become more popular, because they act very harmoniously. Thus the glazed oven ceramic differed from design considerations and more surfaces plaster the glazed ceramics was used more as accents! Therefore, there are various qualitative steps materials for storage and radiation coat. Spirit of Fire has a solution that enables a real tile stove – even in the plastered surfaces but with the introduction of the full tile nature. This becomes the storage and radiation coat quite homogeneous with full tiles. The later plaster surfaces easily with the Vollkachelnaturell run, which then after a thin layer of plaster look is applied. These furnace types are sometimes gladly called Kachelofen: cleaning oven (usually a basic furnace combustion with refractory coating and plastering) storage heaters (says nothing about the radiant coat off!) Martin Scheibelhofer